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Sleeping with Strangers: How the Movies Shaped Desire, by David Thomson
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Review
“More original insights, provocative asides and thought-inducing speculations than several volumes of a less talented writer’s efforts . . . Thomson, a stylist extraordinaire, has written an unaccountable and irresistible book. He reminds us that in a world of increasing sham, movies have the virtue of being instructive, occasionally enlightening shams—to embrace or ignore, as the case may be, but always full of bright dreams, dark visions and glittering possibilities.” —Daphne Merkin, The New York Times Book Review“Mr. Thomson is the finest film critic at work today . . . [He] is never more bracingly irreverent and disorderly—and funny—than when he sets about subverting the pieties attaching to ‘manly films.’” —John Banville, The Wall Street Journal “A fearless, personal, revealing and wildly original account . . . a brand new way of looking at movie history—and a brutally frank one, too . . . This, I think, is Thomson’s most powerful book and one of the smartest ever written about sex and the movies.” —Jeff Simon, The Buffalo News“Literate, frank, and sometimes graphic—another essential volume from an essential writer.” —Kirkus (starred review)“[Thomson] has been called the greatest living writer about film . . . [He] is at his best when he’s mining . . . hidden veins of meaning, noticing a detail in a familiar film that helps you see the movie in a new way.” —Dana Stevens, The Atlantic“Unfailingly provocative. Thomson is pretty much a walking encyclopedia of film history, and this is the kind of subject he can really sink his teeth into. Fascinating and illuminating.” —Booklist“Thomson deploys his encyclopedic knowledge of film so genially and dexterously that readers who are movie aficionados will want to rewatch their favorites through his eyes.” —Publishers Weekly“A typically concentrated paragraph of David Thomson offers more fervent ideas and intellectual sustenance than many—most?—books. Sleeping With Strangers is a pinwheel of delight revolving around the variegated signals of sexuality and gender identification communicated by the movies and the figures inhabiting them. Thomson makes the two-dimensions of the movies three-dimensional, and you don't have to wear those ridiculous glasses.” —Scott Eyman, author of John Wayne: Life and Legend“David Thomson never fails to dazzle me with his striking, original, and evocative prose. The man has never had a clichéd thought. His splendid and wonderfully idiosyncratic writing about film is always fascinating, always backlit with love and devotion. Sleeping with Strangers is a beautiful, mysterious book, both learned and wickedly entertaining. It is an intimate, passionate interrogation (and celebration) of how cinema has shaped our erotic imaginations and, ultimately, both our secret and public expressions of desire.” —Dana Spiotta, author of Eat the Document“Move over darling film books and make room for another irresistible beauty from David Thomson. No writer makes better love to his subject." —Patrick McGilligan, author of Young Orson: The Years of Luck and Genius on the Path to Citizen Kane
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About the Author
DAVID THOMSON is the author of The Biographical Dictionary of Film, Moments That Made the Movies, and the pioneering novel Suspects, which was peopled with characters from film.
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Product details
Hardcover: 368 pages
Publisher: Knopf (January 29, 2019)
Language: English
ISBN-10: 1101946997
ISBN-13: 978-1101946992
Product Dimensions:
6.6 x 1.3 x 9.5 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#58,662 in Books (See Top 100 in Books)
I loved this book. Thomson gives powerful insights into film history in this look into the role of desire in shaping the movies and of the movies in shaping desire.
I loved this book so much. Thomson once again gives new insights into familiar classics. His essays about Katharine Hepburn and Cary Grant are so excellent. At times you think he may be stretching a point or two but then you think about it, and you know he isn't. His understanding of the studio system is second to none. Thomson has dedicated this book to his great friend Kieran Hickey. If there were a time machine, I would love to go back and join Kieran and Dave at the movies. What a delight that would have been. Dave, thanks for a wonderful read. You've done it again.
I have read several books by Thomson and even when I've disagreed with a premise or a conclusion I've appreciated the knowledge and thought that went into the writing. But this book is really pointless. Or too pointed. It seems to be a compilation of about five hundred rhetorical questions, most of which go unanswered. One example: "Are hope and depression twins in America?" What does that even mean? Meandering ruminations aside, the book doesn't even live up to its premise. Near the end Thomson writes that his publisher proposed he write a book about gay influence in the movies. Well, that's not what he's written. There are numerous declarations/disclaimers such as "So-and-so was undoubtedly straight...." or "I don't wish to imply that so-and-so was gay...." And then, nothing much. As one critic wrote (I'm paraphrasing), there is no such thing as a "gay sensibility" and its influence is immeasurable. Nailing down or even isolating that sensibility and its influences was clearly beyond Thomson. Much of the book seems to be an excuse to use dirty words and to offer up examples of his adolescent self-abuse as weird illustrations of his arguments. Really, a rather silly book.
Reading this book reminded me of why I don't watch awards shows anymore. The awards shows go along fine for 45 minutes then BOOM, there is some celebrity who decides to look foolish by slamming Trump. In this book, I would read about 75 fairly interesting pages then BOOM, there would be some political rant about Trump, one even calling him grotesque. What does calling Trump grotesque have to do with the evolution of film in America? My thought with this book is the same as the celebrities - stick to what you do well because when you let your emotions show like that you look like a fool. There are plenty of other ways to see, hear, and read political rants without paying money for a book that has them interspersed throughout.
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